neighborhoods

Destination Upham's This Weekend!

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THIS WEEKEND in Upham's Corner:


The Gentrification Game , Oct 25 & 26, 4-7pm (and November 1&2!)
Tory Bullock
A life size board game where players try to keep up with the cost of living in Upham’s! Tip: Don’t hate the player, hate the game. Check out Tory's teaser video and details here!

Print Ain't Dead: Pop-Up Bookshop, Oct 26th, 7-10pm and Oct 28, 12-5pm
Arielle Gray and Cierra Peters

A series of pop up bookshops and storytelling events that focus on the works of writers of color--particularly Afro-diasporic femmes. Check out their splash page here!

Onwards & Upwards Jazz Series, Oct 27th, 2-5p
Fredrick J. Woodard and friends

Featuring the Lance Martin Trio. Check out his facebook event here.

Radical Black Girl x L'Merchie Frazier of Cross Cultural Collective, Oct 27th, 7-9pm
A healing evening of visual art making, dance movement and open-mic performances. See flyer below!

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Announcing Destination Upham's Artists

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DS4SI is proud to announce our selected Destination Upham's Artists! Together they represent a diversity of approaches and perspectives and a collective rich in talent and vision. As we continue to work with our programming and space partners around Upham's Corner, we will update you on the exact times and locations. In the meantime, take a look at all these reasons to come to Upham's:

RESIST(D)ANCE: UNDER CONSTRUCTION
Radical Black Girl

Part open forum discussion, part rising talent showcase and part dance party--Resist(d)ance is a family-friendly celebration and call to action.

Hip hop, BreakDancing, Graffiti Art Shows +
Frenell Jean-Georges

This interactive 4 part hip hop event includes a Graffiti Art Show, a DJ Showcase & Dance Party, a Break Dance Lesson & Performance and a Local Hip Hop Music ShowCase/ Rap Cypher.

Pop-Up Bookshops
Arielle Gray and Cierra Peters

A series of pop up bookshops and storytelling events that focus on the works of writers of color--particularly Afro-diasporic femmes.

TimeSlips
Melissa Nussbaum Freeman and Red Sage Stories

A multi-sensory creative storytelling tool that uses images, smells and sounds to inspire and enable multicultural, multilingual storytelling with Playback Theatre dramatization for Upham’s seniors.

Live Jazz
Fredrick J. Woodard and friends

Four live jazz events for the whole family to enjoy. Featuring  The Fred Woodard Collective, The John Kordalewski Trio, The Kurtis Rivers Quartet, and Lance Martin Trio
 
Community Square
Cross Cultural Collective : Allentza Michel, Ashleigh Gordon, Daniel Callahan, L’Merchie Franzier, Melissa Alexis, Tiffany Cogell

The Community Square will function as both a collectively-built 3D square and a space for community members to come together for conversation & performance.

 Afro-Futurist Interviews and Afro-Mixer
Jordan Holmes
An intercultural afrofuturist audio-theater piece featuring the voices and languages of Upham’s diverse Black community of the future--complete with an Afro-Mixer listening party!

The Gentrification Game
Tory Bullock
A life size board game where players try to keep up with the cost of living in Upham’s! Tip: Don’t hate the player, hate the game.

Destination Upham's is funded in collaboration with the Fairmount Cultural Corridor, the Barr Foundation and the New England Foundation for the Arts (NEFA).
 

Stay tuned for Dates and Locations!

I've Lived: Post-It Notes for Neighbors

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Finnish designer Candy Chang’s installation in Brooklyn explores the price of housing, owner/renter mobility, and location. Over the course of one week and several rainstorms, Candy collected data on participants’ homes: their size, location, cost, and duration of occupancy.  She publicly displayed these before aggregating the data into infographics reflecting the city’s housing strata.

Her work yields potential avenues for our thinking about Life Lab to walk.  Where she sought to uncover a community narrative, she found a suitable format for engagement.  The Post-its contain much information, are accessible to anyone who has played Madlibs or done grammar homework, and are easily disseminated and logged.

Wanting to dig more deeply into the ramifications of housing costs, DS4SI’s job is to visualize the same data in real time, while maintaining a participatory format.  There are questions of exchange that we’d need to explore – how to solicit and instantly display the information (exchange between source and result) or how to productively interact with participants (an exchange of labor).

An obvious difference between Life Lab and I’ve Lived is the latter’s emphasis on history.  Chang looks at the occupants’ time spent in the neighborhood and the data yields lessons about mobility, suggesting that lifetime residents are considerably advantaged over renters.  Life Lab frames issues in a sense of urgency.  It says real people have x, y, and z going on in (y)our neighborhood, and publicly creating ideas together will help us intervene.

A successful deployment of Life Lab could bridge this difference if we give some thought to foregrounding the context in which we place the installation.

I’ve Lived was part of the Windows Brooklyn exhibit that paired artists with storefront windows in Cobble Hill and Carroll Gardens June 14-22, 2008.